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Zheshoi phonological notes
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1 # ideas for improving English orthography
2
3 This page lists various ideas editors of this wiki have had regarding
4 English orthography and various improvements or changes which might
5 be made there·with.
6
7 ## punctuation
8
9 ### middle dot (middot)
10
11 ::: thread
12
13 - I use the middle dot as a “phonological hyphen”—to indicate when
14 parts of words should be pronounced as if they are distinct
15 phonological items.
16 In this sense it takes the place of a dieresis (‹ co·operate › not
17 not ‹ coöperate ›) and clarifies silent E in compound words
18 (‹ code·point ›).
19 It can also be added when not strictly phonologically necessary just
20 to make very long words easier to scan.
21
22 As an exception, I usually don’t use the middle dot with common,
23 known suffixes like _‐ly_{as=i} (as in ‹ lately ›) to reduce
24 visual noise.
25 [][@:Lady]{.sig}
26
27 - As a (somewhat) distinct usage, I use the middle dot to separate
28 letters which should be spoken separately (acronyms) as this
29 avoids the end‐of‐sentence confusion that one gets with periods.
30 [][@:Lady]{.sig}
31
32 :::
33
34 ### quoting
35
36 ::: thread
37
38 - I use single quotes (‹ ‘’ ›) as a general quotation mark and double
39 quotes (‹ “” ›) for scare quotes.
40 Guillemets (‹ «» ›) are for exact quotations from written sources and
41 should be separated from their contents by a narrow nonbreaking
42 space.
43 “Single” angle quotation marks (‹ ‹› ›) are for quoting exact strings
44 or sequences of characters irrespective of their meaning.
45 [][@:Lady]{.sig}
46
47 - The closing single quote (‹ ’ ›) is also the apostrophe character;
48 for a while I used a straight quote (‹ ' ›) for apostrophe, but
49 this isn’t what Unicode recommends and frankly doesn’t look as
50 nice.
51 I’d be open to alternative proposals for apostrophe—maybe broken
52 bar (‹ ¦ ›)?
53 [][@:Lady]{.sig}
54
55 - A narrow nonbreaking space should be placed between adjacent raised
56 quotes, for example when a spoken quotation begins or ends with an
57 apostrophe.
58 [][@:Lady]{.sig}
59
60 :::
61
62 ### dog’s bollocks
63
64 ::: thread
65
66 - I use a dog’s bollocks (‹ ::wj:— ›) to introduce a list of items.
67 There is also a reverse variant (‹ —:wj:: ›) for transitioning from a
68 list to a comment there·about.
69 In both cases, these replace the ordinary colon by giving it a
70 directionality.
71 I always separate the colon side from neighbouring words with a
72 narrow nonbreaking space, and the emdash side with a full
73 (breaking) space.
74 [][@:Lady]{.sig}
75
76 - Lines should not be broken between the colon and the dash, but
77 software sometimes does anyway.
78 This can be prevented by adding a word joiner between the two.
79 [][@:Lady]{.sig}
80
81 - On this _Wiki_{as=cite}, I’ve defined `:8--:` and `:--8:` as
82 shorthands for the whole “narrow nobreak space, colon, word
83 joiner, emdash” combo.
84 [][@:Lady]{.sig}
85
86 :::
87
88 ### dagger
89
90 ::: thread
91
92 - I use single (‹ † ›) and double (‹ ‡ ›) dagger as proper name marks,
93 in contexts where capitalization is not an option or desirable.
94 The rules are as follows:8--:
95 If the name consists of only one word, place a single dagger before
96 it.
97 If the name consists of multiple words, place a dagger before the
98 first word and after the last.
99 If the name consists of multiple parts, use a nested double dagger to
100 denote the most significant part (e·g a family name).
101 For example, one might write “Zelda Hyrule” as †zelda ‡hyrule† or
102 “Mizutani Shizuku” as †‡mizutani shizuku†.
103 [][@:Lady]{.sig}
104
105 :::
106
107 ### sets
108
109 (By “sets”, lists of items such as “a, b & c” is meant.)
110
111 ::: thread
112
113 - For sets of items, I wrap them in curly braces (‹ \{} ›) whenever
114 things seem ambiguous.
115 This obviates the need for a comma before the set operator, which
116 looks unpleasant.
117 (I do use a final comma in a non·operator context, such as before the
118 written word “and”.)
119 [][@:Lady]{.sig}
120
121 - In addition to the ampersand (‹ & ›) indicating “all of a set”, I
122 employ the pipe (‹ ∣ ›) to indicate “some of a set” and the
123 solidus (‹ ∕ ›) to indicate “one of a set”.
124 (One might imagine the reverse solidus (‹ ⧵ ›) used to represent
125 “none of a set”.)
126 Note that these are the mathematical operators, not the vertical bar
127 (‹ | ›), slash (‹ / ›), and backslash (‹ \ ›) from Ascii (the
128 ampersand is the same).
129 [][@:Lady]{.sig}
130
131 - Typically I only use these in set of two items, because I don’t
132 expect people to know how to read “you may have a, b ∕ c” (but
133 “you may have b ∕ c” is clearer).
134 [][@:Lady]{.sig}
135
136 - Many fonts are bad at rendering the mathematical solidus, perhaps
137 confusing it with the fraction slash.
138 [][@:Lady]{.sig}
139
140 :::
141
142 ### per sign
143
144 ::: thread
145
146 - I use the per sign (‹ ⅌ ›) in place of the word _per_{as=i},
147 including in attributing thoughts (“cats are good, ⅌ æscling”).
148 [][@:Lady]{.sig}
149
150 :::
151
152 ## spelling
153
154 ### tironian et
155
156 ::: thread
157
158 - I use tironian et (‹ ⹒⁊ ›) to replace the _et_{as=i} in phrases such
159 as _et cetera_{as=i} (abbreviated ‹ ⁊·c ›) as well as as a
160 generalpurpose “and” sign.
161 [][@:Lady]{.sig}
162
163 :::
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