- * The "Greek and Coptic" Unicode range is now fully covered, except Coptic
- letters. The epigraphic letters have been implemented in a simple sans-serif
- style: I don't like "creativity" if it can result in producing urecognizable
- glyphs.
-
- * Regular and bold: New alternate glyphs for Cyrillic IE (U+0415/U+0435) and
- Ukrainian IE (U+0404/U+0454), used by default for Church Slavonic. The intent
- is to make Old Cyrillic YEST clearly distinguishable both from Latin E and
- "wide" YEST.
-
- * New glyphs for CYRILLIC SMALL LETTER MONOGRAPH UK (in all 3 styles).
-
- * I have implemented a k-shaped kappa in all three styles, a script rho in
- regular and bold and a rho with straignt tail in italic. These characters
- (except the script rho) are kept unencoded and can be accessed via the 'mgrk'
- feature tag. I don't think they would be very useful, but at least it is now
- possible to use Old Standard for typesetting a copy of the Unicode Greek
- codechart (I needed one for a book I was preparing).
-
- * Multiple cosmetic glyph changes. In particular Latin capital "C", "E", "F",
- "G", "L" and related glyphs have got heavier vertical serifs in the regular font.
- Cedilla is redesigned (once again) in regular and bold. Shapes of some Greek
- letters (including alternate beta and theta) have also been improved.
-
- * I no longer use custom PUA mappings. I have preserved PUA codepoints for
- a few standard glyphs (including capital accents) previously mapped there
- by Adobe, as well as for additional accented Greek characters implemented
- for compatibility with Ralph Hancock's fonts. Everything else has been moved
- outside the encoding.
-
- * Oops. I was wrong regarding "zhe with breve": this letter actually
- should be formed with a standard (Latin) breve rather than a Cyrillic
- telephone receiver-like accent. BTW I think rhis letter should be
- available in the font: since I already support historical Romanian
- characters, the modern Moldavian Cyrillic alphabet should be supported
- as well.
+ * The "Greek and Coptic" Unicode range is now fully covered,
+ except Coptic letters. The epigraphic letters have been
+ implemented in a simple sans-serif style: I don't like
+ "creativity" if it can result in producing urecognizable glyphs.
+
+ * Regular and bold: New alternate glyphs for Cyrillic IE
+ (U+0415/U+0435) and Ukrainian IE (U+0404/U+0454), used by
+ default for Church Slavonic. The intent is to make Old Cyrillic
+ YEST clearly distinguishable both from Latin E and "wide" YEST.
+
+ * New glyphs for CYRILLIC SMALL LETTER MONOGRAPH UK (in all 3
+ styles).
+
+ * I have implemented a k-shaped kappa in all three styles, a
+ script rho in regular and bold and a rho with straignt tail in
+ italic. These characters (except the script rho) are kept
+ unencoded and can be accessed via the 'mgrk' feature tag. I
+ don't think they would be very useful, but at least it is now
+ possible to use Old Standard for typesetting a copy of the
+ Unicode Greek codechart (I needed one for a book I was
+ preparing).
+
+ * Multiple cosmetic glyph changes. In particular Latin capital
+ "C", "E", "F", "G", "L" and related glyphs have got heavier
+ vertical serifs in the regular font. Cedilla is redesigned
+ (once again) in regular and bold. Shapes of some Greek letters
+ (including alternate beta and theta) have also been improved.
+
+ * I no longer use custom PUA mappings. I have preserved PUA
+ codepoints for a few standard glyphs (including capital accents)
+ previously mapped there by Adobe, as well as for additional
+ accented Greek characters implemented for compatibility with
+ Ralph Hancock's fonts. Everything else has been moved outside
+ the encoding.
+
+ * Oops. I was wrong regarding "zhe with breve": this letter
+ actually should be formed with a standard (Latin) breve rather
+ than a Cyrillic telephone receiver-like accent. BTW I think rhis
+ letter should be available in the font: since I already support
+ historical Romanian characters, the modern Moldavian Cyrillic
+ alphabet should be supported as well.